An exploration of the phenomenon
of constant change of visual perception and the dynamic alteration of image
perspective. The frame as a window whereby the viewer's consciousness is both
inside and outside. A graphic portrayal of the change of Chicago's seasons (from
Fall to Winter) employing the technique of optical printing bi-pak. One foot
of black and white film was shot for ninety days consecutively and printed with
color footage of close-ups of the same scene.
Awards:
Fellowship
Winner, School of the Art Institute of Chicago, May 1979